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| As Spring approaches, light takes on a different quality. Days extend, interiors brighten, and outdoor spaces begin to reemerge. This transition often calls for lighting that feels lighter in presence while remaining considered in form and material. This week’s selections bring together new lighting designs for both indoor and outdoor settings, where color, glass, and natural materials shape a softer approach to illumination. |
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| 1004 HANS WALL LIGHT |
| Hans-Agne Jakobsson |
Hans-Agne Jakobsson’s designs were the result of intense investigation into the nature of pine veneer, especially in relation to light. Vaarnii has reengineered these classic designs for the contemporary space. Crafted from the best quality pine veneer and solid pine, the fixture highlights the character of the wood. The natural pine wood is the perfect choice for a captivatingly beautiful luminaire: the light shines through the living wood surface with a soft honeyed glow, inviting you to come closer.
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| OBELLO COLORS |
| Bill Curry |
| The Obello Colors, originally designed by Bill Curry, reintroduce a familiar form through a new, pastel palette. The portable lamp’s rounded, mushroom-like silhouette is formed from translucent glass, diffusing light evenly while allowing the color to subtly shift depending on its surroundings. Designed for flexibility, it moves easily between interior and exterior use. Available in Mellow Yellow, Pearl White, or Powder Pink. |
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| BOLLE COLOURED |
| Giopato & Coombes |
| With the Bolle Coloured collection, Giopato & Coombes explores the relationship between light, glass, and color. Composed of hand-blown Murano glass spheres, each element appears suspended in space, capturing and refracting light in subtle variations. The introduction of color adds a new dimension to the collection. Available in six colors or an iridescent option. |
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| MAYA |
| Vincent Sheppard |
| Crafted from repurposed teak slats, the Maya Outdoor Lamp reflects Vincent Sheppard’s commitment to thoughtful, sustainable design. Made from the brand’s own teak off-cuts, the slatted shade surrounds a solar-powered LED module, casting a soft, dappled glow. The contrast between the warm wood and its black powder-coated frame gives Maya a sculptural presence, ideal for terraces, garden paths, and quiet evenings outdoors. |
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| TOPAN |
| Verner Panton |
| Originally designed in 1959 as a pendant, the Topan lamp brings a new perspective to one of Verner Panton’s most recognizable designs. The lamp has transformed into a sculptural, freestanding light that plays with transparency and levity. Available as a table, floor, or pendant light in Chrome-Plated, Grey Beige, or Vermillion Red. |
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