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              | Great design leaves a clear signature. Arne Jacobsen, Hans J. Wegner, Bodil Kjær, Grete Jalk, and Fabricius & Kastholm shaped modern living with ideas that were as rigorous as they were graceful, refining structure, proportion, and comfort into lasting forms. This week, we celebrate their enduring influence through five iconic works that continue to define the language of contemporary design. Each piece is a testament to the vision, intellect, and artistry of these masters who shaped the modern era. |  
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              | EGG CHAIR |  
              | Arne Jacobsen |  
              | Created in 1958 for the SAS Royal Hotel in Copenhagen, the Egg Chair captures Arne Jacobsen’s mastery of organic form and privacy. A sculpted shell in molded foam embraces the sitter, while the swivel base makes it easy to turn toward a conversation or a view. Upholstered in fabric or leather, the Egg pairs architectural silhouette with lounge-level ease, a hallmark of Jacobsen’s human-centered modernism. |  
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              | GJ DINING CHAIR |  
              | Grete Jalk |  
              | Grete Jalk left distinguished footprints on the Danish Mid-Century Modern period of design. As an architect and furniture designer, she had the ability to design pieces to stand alone as individual artworks. Her GJ Dining Chair showcases a solid-wood frame in oak or walnut, with upholstered leather seat and back. Produced by Lange Production from Jalk’s original drawings, it brings her quiet sophistication to the dining room. |  
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              | PP130 CIRCLE CHAIR |  
              | Hans J. Wegner |  
              | Hans Wegner’s Circle Chair turns a grand gesture into a remarkably inviting seat. The large circular ring, crafted in solid wood, frames a hand-laced flag halyard seat and back that flex with the body. Ideal for reading, reflecting, or simply admiring its artistry, this chair brings natural warmth to any space. Frame available in oak, ash, cherry, or lacquered in a variety of colors. Seat and neckrest available upholstered in a variety of fabrics and leathers. |  
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              | OFFICE DESK |  
              | Bodil Kjær |  
              | Bodil Kjær’s 1959 Office Desk is celebrated for its poised transparency. A linear wood top appears to float above a stainless steel frame, expressing structure with clarity and restraint. Proportions are carefully judged for a generous working surface without bulk. It is a desk that brings order to a space, and a clear example of Kjær’s architectural approach to furniture. |  
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              | FK10 PLICO CHAIR |  
              | Fabricius & Kastholm |  
              | Fabricius & Kastholm approached comfort through precision and honest materials. The Plico Chair folds neatly when not in use, yet opens to a relaxed lounge with a canvas seat, leather details, and an oiled wood frame. Brass fittings and adjustable positions allow the chair to shift from upright reading to a deeper recline. Practical, tactile, and beautifully engineered, it reflects the duo’s elegant problem solving. |  
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